clay

I came to clay not through formal study but through proximity and invitation.

While working alongside ceramicists at Hashi, I found myself drawn to the quiet, elemental process of shaping earth and fire.

With no training beyond a handful of generous lessons, I began to explore on my own — making simple vessels, small figures, forms that felt like extensions of breath or prayer.

Everything here is amateur in the positive sense: personal, experimental, and touched by wonder.